Page 41 - The Moretonian 2025
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Their synchronised movement was beautifully The concluding chorus,
choreographed: not merely illustrative, but
expressive and elegantly emotive. performed with vigour by the
entire cast, offered both spectacle
and heart. More than that, it was
a thoughtful nod to the cultural
roots of the story — an act of
respectful homage wrapped in
colour, rhythm and joy.
In the end, what lingered was not just the singing
and dancing, but the sense of collective spirit.
From Year 6 to the Upper Fourth, the cast came
together not merely to perform, but to celebrate
the act of storytelling itself. And in that, they
A different energy took hold with the arrival of succeeded magnificently.
Maui, swaggeringly played by Joda, whose comic
timing and stage presence belied her age. And Sarah Thomas
then there was Willow as Tomatoa, the show-
stopping, jewel-encrusted crab, who lit up the Teacher of English
stage with a performance that was both fearless
and knowingly funny. Her solo — equal parts
glitter and attitude — was a genuine highlight.
If the narrative’s final twists veered towards
the surreal, the production embraced them with
open arms.
The Moretonian 2025 41

